UBUHANZI
UBWIZA N'UBUZIMA
UBUKORIKORI
UMUCO N'AMATEKA
IMYIDAGADURO
IBIDUKIKIJE
IBIRIBWA N'IBINYOBWA
UBWUBATSI BUSUBIRA INYUMA
UBUMENYI
SIPORO
IKORANABUHANGA
IBYAMBARWA
IbishushanyoUBUMENYI
UBUMENYI
Ibishushanyo 1.933 birahari • Ibyiciro bito 11
Reba Ibyiciro Bito
Ibishushanyo (1.933)
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
na Charlie
UBUHANZI
56
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
na Charlie
UBUHANZI
78
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
na Charlie
UBUHANZI
84
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root
na Charlie
UBUHANZI
84
0
0
0
2
0
Akaga
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
na Charlie
UBUHANZI
60
0
0
0
4
0
Akaga
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
na Charlie
UBUHANZI
60
0
0
0
0
0
Akaga
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
na Charlie
UBUHANZI
104
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
na Charlie
UBUHANZI
176
0
0
0
0
0
Gukora Ramurasivu Tatuwe Isi Itaka Rye
na Charlie
Ubuhanzi ku Mubiri
144
0
0
0
1
0
Gukora Ink y'ibara Riihuje Itasi Gukora Ibara Ry'imibiri — Icy Kirikwihimbe kinyenye Mu Zeteyinye Ryumudengeziyo
na Charlie
Ubuhanzi ku Mubiri
143
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
na Charlie
UBUHANZI
80
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
na Charlie
UBUHANZI
149
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
na Charlie
Gutunganya Ibinyobwa
76
0
0
0
2
0
Akaga
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
na Charlie
UBUHANZI
75
0
0
0
2
0
Akaga
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
na Charlie
UBUHANZI
80
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
na Charlie
UBUHANZI
79
0
0
0
4
0
Akaga
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
na Charlie
UBUHANZI
97
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
na Charlie
UBUHANZI
65
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
na Charlie
UBUHANZI
58
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
na Charlie
UBUHANZI
73
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
na Charlie
Inyamaswa
157
0
0
0
3
0
Akaga
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
na Charlie
Kera
123
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
na Charlie
Ibihe byo Hagati
141
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
na Charlie
Kera
97
0
0
0
6
0
Hagaragajwe 24 kuri 1933