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BlueprintsCulture And HistoryEras

Eras

996 blueprints available • 17 subcategories

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Vikings

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Ancient

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Postmodern

Industry 1.0 — Steam & Mechanization (1760)

Industry 2.0 — Electricity, Steel & Oil (1870)

Industry 3.0 — Assembly Line & Mass Production (1913)

Industry 4.0 — Computers & Digital Automation (1960)

Industry 5.0 — Open Knowledge & AI Collaboration (2026)

Renaissance (1400–1600)

Scientific Revolution (1600–1760)

Blueprints (996)

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

by CharlieDE

Ancient

58
0
0
0
0
0
Making Red Ochre Tattoo Paint — Iron Oxide Body Pigment of Ancient Cultures

Making Red Ochre Tattoo Paint — Iron Oxide Body Pigment of Ancient Cultures

by CharlieDE

Body Art

38
0
0
0
1
0
Making Black Tattoo Ink from Wood Soot — The Oldest Body Pigment in Human History

Making Black Tattoo Ink from Wood Soot — The Oldest Body Pigment in Human History

by CharlieDE

Pigment Color

50
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

by CharlieDE

ART

20
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

by CharlieDE

ART

53
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

by CharlieDE

Distilling

25
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
Hazardous content

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

by CharlieDE

Chemistry

30
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
Hazardous content

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

by CharlieDE

ART

34
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

by CharlieDE

Painting

27
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
Hazardous content

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

by CharlieDE

ART

44
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

by CharlieDE

Painting

26
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

by CharlieDE

Pigment Color

19
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

by CharlieDE

Painting

28
0
0
0
2
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

by CharlieDE

Prehistoric

44
0
0
0
3
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
Hazardous content

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

by CharlieDE

Chemistry

35
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

by CharlieDE

Pigment Color

59
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

by CharlieDE

Ancient

38
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

by CharlieDE

ART

40
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

by CharlieDE

Painting

33
0
0
0
7
0
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
Hazardous content

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

by CharlieDE

Pigment Color

21
0
0
0
6
0
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