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Middle Ages

60 blueprints available

Blueprints (60)

Making Maya Blue — The Indestructible Pigment of Mesoamerica

Making Maya Blue — The Indestructible Pigment of Mesoamerica

by CharlieDE

Middle Ages

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2
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Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

by CharlieDE

Pigment Color

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2
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Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
Hazardous content

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

by CharlieDE

Middle Ages

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1
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Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

by CharlieDE

Middle Ages

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Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

by CharlieDE

Chemistry

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2
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Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

by CharlieDE

Middle Ages

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3
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Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

by CharlieDE

ART

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2
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Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

by CharlieDE

Pigment Color

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4
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Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
Hazardous content

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

by CharlieDE

Painting

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6
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Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

by CharlieDE

Chemistry

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8
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Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe

Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe

by CharlieDE

Chemistry

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4
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Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

by CharlieDE

Pigment Color

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6
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Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History

Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History

by CharlieDE

Pigment Color

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6
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Dyeing Pale Yellow with Mullein — The Roadside Dye of Medieval Europe

Dyeing Pale Yellow with Mullein — The Roadside Dye of Medieval Europe

by TexFO

Middle Ages

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Dyeing Red with Brazilwood — The Dyewood That Named a Nation

Dyeing Red with Brazilwood — The Dyewood That Named a Nation

by TexFO

Textile & Leather

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1
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Dyeing Yellow with Fustic — The Colonial Dyewood That Coloured the New World Trade

Dyeing Yellow with Fustic — The Colonial Dyewood That Coloured the New World Trade

by TexFO

Colouring & Dyeing

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1
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Dyeing Yellow with Dyer's Broom — The Greenweed That Made Lincoln Green

Dyeing Yellow with Dyer's Broom — The Greenweed That Made Lincoln Green

by TexFO

Colouring & Dyeing

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1
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Needle Felting — Sculpting Wool with Barbed Needles

Needle Felting — Sculpting Wool with Barbed Needles

by TexFO

Wool

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The Slip-Stitch Heel — Reinforced Double-Thick Knitting for Sock Heels That Last

The Slip-Stitch Heel — Reinforced Double-Thick Knitting for Sock Heels That Last

by TexFO

Knitting

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Knitting in the Round on Double-Pointed Needles — Seamless Tubes for Socks, Hats and Mittens

Knitting in the Round on Double-Pointed Needles — Seamless Tubes for Socks, Hats and Mittens

by TexFO

Yarns & Threads

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