NGHỆ THUẬT
LÀM ĐẸP VÀ SỨC KHỎE
THỦ CÔNG
VĂN HÓA VÀ LỊCH SỬ
GIẢI TRÍ
MÔI TRƯỜNG
THỰC PHẨM VÀ ĐỒ UỐNG
KỸ THUẬT NGƯỢC
KHOA HỌC
THỂ THAO
CÔNG NGHỆ
THIẾT BỊ ĐEO

Màu sắc tố

76 bản thiết kế có sẵn

Bản thiết kế (76)

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
Nguy hiểm

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

bởi CharlieDE

NGHỆ THUẬT

79
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

bởi CharlieDE

NGHỆ THUẬT

74
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
Nguy hiểm

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

bởi CharlieDE

NGHỆ THUẬT

89
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

bởi CharlieDE

NGHỆ THUẬT

61
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

bởi CharlieDE

NGHỆ THUẬT

55
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

bởi CharlieDE

NGHỆ THUẬT

63
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

bởi CharlieDE

Động vật

145
0
0
0
3
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
Nguy hiểm

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

bởi CharlieDE

Cổ đại

110
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

bởi CharlieDE

Thời Trung cổ

137
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

bởi CharlieDE

Cổ đại

91
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

bởi CharlieDE

Cổ đại

91
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

bởi CharlieDE

Hiện đại

96
0
0
0
7
0
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
Nguy hiểm

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

bởi CharlieDE

Thời Trung cổ

65
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

bởi CharlieDE

Thời Trung cổ

65
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

bởi CharlieDE

Cổ đại

68
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

bởi CharlieDE

Cổ đại

48
0
0
0
3
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

bởi CharlieDE

Thời tiền sử

75
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

bởi CharlieDE

Cổ đại

53
0
0
0
3
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

bởi CharlieDE

Cổ đại

88
0
0
0
6
0
Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame

Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame

bởi CharlieDE

Thời tiền sử

172
0
0
0
6
0
Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation

Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation

bởi CharlieDE

Thời tiền sử

129
0
0
0
7
0
Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History

Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History

bởi CharlieDE

Thời Trung cổ

95
0
0
0
6
0
Making Verdigris — The Copper Acetate Green of Medieval Painters

Making Verdigris — The Copper Acetate Green of Medieval Painters

bởi CharlieDE

Cổ đại

95
0
0
0
7
0
Chiết xuất Chất Nhuộm Tự Nhiên từ Thực Vật — Màu từ Vườn

Chiết xuất Chất Nhuộm Tự Nhiên từ Thực Vật — Màu từ Vườn

bởi BobBE

Sinh học

58
0
0
0
0
0
Hiển thị 24 trong 76