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BlueprintsCULTURE & HISTORY
CULTURE & HISTORY
1,295 blueprints available • 3 subcategories
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Blueprints (1,295)
Ukwenza i-Red Ochre Tattoo Paint
ngu-Charlie
Body Art
51
0
0
0
1
0
Lungisa Isi ye-tattoo Emnyama kusuka e-umsi wekhuni — Umuntu Omkhulu kkunyenye Ishwa yomntu
ngu-Charlie
Body Art
63
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
ngu-Charlie
ART
23
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
ngu-Charlie
ART
57
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
ngu-Charlie
Distilling
26
0
0
0
2
0
Yingozi
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
ngu-Charlie
ART
35
0
0
0
2
0
Yingozi
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
ngu-Charlie
ART
37
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
ngu-Charlie
ART
30
0
0
0
4
0
Yingozi
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
ngu-Charlie
ART
46
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
ngu-Charlie
ART
31
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
ngu-Charlie
ART
21
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
ngu-Charlie
ART
29
0
0
0
2
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
ngu-Charlie
Animal
50
0
0
0
3
0
Yingozi
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
ngu-Charlie
Ancient
44
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
ngu-Charlie
Middle Ages
68
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
ngu-Charlie
Ancient
41
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
ngu-Charlie
Ancient
41
0
0
0
9
0
Yingozi
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
ngu-Charlie
Modern
42
0
0
0
7
0
Yingozi
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
ngu-Charlie
Middle Ages
22
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
ngu-Charlie
Middle Ages
25
0
0
0
8
0