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TECNOLOGIA
TECNOLOGIA VESTÍVEL

Pré-histórico

216 blueprints disponíveis

Blueprints (216)

Drying and Smoking Meat over a Fire — Prehistoric Food Preservation

Drying and Smoking Meat over a Fire — Prehistoric Food Preservation

por TheChefDK

Pré-histórico

22
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6
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Processing Acorns for Food — Leaching Tannins from the Universal Tree Nut

Processing Acorns for Food — Leaching Tannins from the Universal Tree Nut

por TheChefDK

Pré-histórico

33
0
0
0
0
0
Collecting and Processing Cattail — The Supermarket of the Swamp

Collecting and Processing Cattail — The Supermarket of the Swamp

por BobBE

Pré-histórico

23
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0
0
0
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Carving a Wooden Bowl by Ember Burning — Hollowing Without Metal Tools

Carving a Wooden Bowl by Ember Burning — Hollowing Without Metal Tools

por WoodyNO

Pré-histórico

19
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0
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2
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Making a Stone Adze — The Woodworking Tool That Shaped Canoes and Beams

Making a Stone Adze — The Woodworking Tool That Shaped Canoes and Beams

por WoodyNO

Pré-histórico

40
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0
0
3
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Polishing a Neolithic Ground Stone Axe — The Tool That Cleared the Forests

Polishing a Neolithic Ground Stone Axe — The Tool That Cleared the Forests

por MaryFI

Pré-histórico

28
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0
0
3
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Knapping an Obsidian Blade — Pressure-Flaked Volcanic Glass

Knapping an Obsidian Blade — Pressure-Flaked Volcanic Glass

por MaryFI

Pré-histórico

27
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0
0
2
0
Making a Bone Awl — Piercing Tool for Sewing and Basketry

Making a Bone Awl — Piercing Tool for Sewing and Basketry

por MaryFI

Pré-histórico

28
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0
0
2
0
Making a Stone Scraper for Hide Working — Conchoidal Flake Tool

Making a Stone Scraper for Hide Working — Conchoidal Flake Tool

por MaryFI

Pré-histórico

32
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0
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Making a Hammerstone — The First Tool in Human History

Making a Hammerstone — The First Tool in Human History

por MaryFI

Pré-histórico

30
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0
0
4
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Fazer Tinta de Tatuagem com Ocre Vermelho

Fazer Tinta de Tatuagem com Ocre Vermelho

por CharlieDE

Arte Corporal

53
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0
0
1
0
Fazendo Tinta de Tatuagem Preta a partir de Fuligem de Madeira — O Pigmento Corporal Mais Antigo da História Humana

Fazendo Tinta de Tatuagem Preta a partir de Fuligem de Madeira — O Pigmento Corporal Mais Antigo da História Humana

por CharlieDE

Arte Corporal

68
0
0
0
0
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

por CharlieDE

ARTE

21
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0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

por CharlieDE

ARTE

29
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0
0
2
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Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

por CharlieDE

Animal

52
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0
0
3
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

por CharlieDE

Pré-histórico

41
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0
0
5
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Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame

Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame

por CharlieDE

Pré-histórico

69
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0
0
6
0
Making Lime Wash — The Oldest and Simplest Wall Paint in the World

Making Lime Wash — The Oldest and Simplest Wall Paint in the World

por CharlieDE

Pré-histórico

65
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0
0
2
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Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation

Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation

por CharlieDE

Pré-histórico

51
0
0
0
7
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Dyeing Golden-Brown with Wattle Bark — The Australian Acacia Tannin Dye

Dyeing Golden-Brown with Wattle Bark — The Australian Acacia Tannin Dye

por TexFO

Pré-histórico

35
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0
2
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