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BlueprintsCULTURA E HISTÓRIA
CULTURA E HISTÓRIA
1.345 blueprints disponíveis • 3 subcategorias
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Blueprints (1.345)
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
por Charlie
ARTE
29
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0
0
1
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Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity
por Charlie
ARTE
28
0
0
0
2
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
por Charlie
ARTE
19
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
por Charlie
ARTE
33
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
por Charlie
ARTE
30
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root
por Charlie
ARTE
28
0
0
0
2
0
Perigoso
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
por Charlie
ARTE
29
0
0
0
4
0
Perigoso
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
por Charlie
ARTE
31
0
0
0
0
0
Perigoso
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
por Charlie
ARTE
60
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
por Charlie
ARTE
77
0
0
0
0
0
Fazer Tinta de Tatuagem com Ocre Vermelho
por Charlie
Arte Corporal
53
0
0
0
1
0
Fazendo Tinta de Tatuagem Preta a partir de Fuligem de Madeira — O Pigmento Corporal Mais Antigo da História Humana
por Charlie
Arte Corporal
68
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
por Charlie
ARTE
23
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
por Charlie
ARTE
59
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
por Charlie
Destilação
27
0
0
0
2
0
Perigoso
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
por Charlie
ARTE
36
0
0
0
2
0
Perigoso
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
por Charlie
ARTE
39
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
por Charlie
ARTE
30
0
0
0
4
0
Perigoso
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
por Charlie
ARTE
46
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
por Charlie
ARTE
31
0
0
0
1
0