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1.546 blueprints disponíveis • 11 subcategorias
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Plantas (1.546)
Temperament: Twelve Fifths Do Not Fit in Seven Octaves
por Woody
Marcenaria
28
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Reeds That Speak: Beating, Double and Free
por Woody
Marcenaria
23
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Heads and Tension: Why a Drum Has a Pitch You Can Argue About
por Woody
Marcenaria
27
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Bore and Tone Holes: A Hole Can Be Made Bigger and Not Smaller
por Woody
Marcenaria
29
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The Soundboard: A String Alone Is Almost Silent
por Woody
Marcenaria
26
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Placing the Frets: The Rule of 18 Is Wrong, and by How Much
por Woody
Marcenaria
28
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What Sets the Pitch: Length, Tension, Mass, and Nothing Else
por Woody
Marcenaria
24
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Substantive and Adjective: Which Dyes Need a Mordant and Which Do Not
por Tex
Têxtil e Couro
21
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Exhaust Baths: The Shade Ladder Is Free, the Matched Set Is Not
por Tex
Têxtil e Couro
29
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Mordants Beyond Alum: Why Cotton Needs Tannin and Iron Needs Restraint
por Tex
Têxtil e Couro
26
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Weight of Fibre: The One Number Every Dye Recipe Is Built On
por Tex
Têxtil e Couro
30
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0
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0
Distortion and Sequence: The Weld Pulls, So Decide Where It Pulls To
por Forge
Trabalho em Metal
29
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Fillet and Butt: Sizing the Weld the Joint Actually Needs
por Forge
Trabalho em Metal
27
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Reading a Casting: Porosity, Cold Shuts and Inclusions Each Name a Cause
por Forge
Trabalho em Metal
25
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Risers: Metal Shrinks When It Freezes, and the Hole Goes Somewhere
por Forge
Trabalho em Metal
24
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Gating: Getting the Metal In Without Wrecking the Mould
por Forge
Trabalho em Metal
28
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The Parting Line: Where the Mould Splits Decides Everything Else
por Forge
Trabalho em Metal
22
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0
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The Pattern Is Not the Part: Draft, Shrinkage and Machining Allowance
por Forge
Trabalho em Metal
17
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Why Paintings Fail: Cracking, Yellowing, Blooming and Flaking
por Mary
Materiais
15
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Varnish Is a Sacrificial Layer, Not a Finish
por Mary
Materiais
26
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Lightfastness: Which Colours Are Still There in Fifty Years
por Mary
Materiais
26
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Opacity and Tinting Strength: Why Some Colours Go Ten Times Further
por Mary
Materiais
27
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Drying Is Not Evaporating: Three Different Mechanisms, Three Different Films
por Mary
Materiais
29
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Fat Over Lean: Why the Order of the Layers Decides Whether It Cracks
por Mary
Materiais
21
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0
0
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0
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