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PlansArtArts Décoratifs

Arts Décoratifs

77 blueprints disponibles • 14 sous-catégories

Plans (77)

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

par CharlieDE

ART

55
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

par CharlieDE

ART

59
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

par CharlieDE

Animal

142
0
0
0
3
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
Dangereux

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

par CharlieDE

Ancien

108
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

par CharlieDE

Moyen Âge

132
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

par CharlieDE

Ancien

90
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

par CharlieDE

Ancien

90
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

par CharlieDE

Moderne

90
0
0
0
7
0
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
Dangereux

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

par CharlieDE

Moyen Âge

64
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

par CharlieDE

Moyen Âge

63
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

par CharlieDE

Ancien

66
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

par CharlieDE

Ancien

48
0
0
0
3
0
Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint

Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint

par CharlieDE

Ancien

180
0
0
0
4
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

par CharlieDE

Ancien

52
0
0
0
3
0
Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe

Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe

par CharlieDE

Moyen Âge

67
0
0
0
4
0
Making Lime Wash — The Oldest and Simplest Wall Paint in the World

Making Lime Wash — The Oldest and Simplest Wall Paint in the World

par CharlieDE

Préhistorique

128
0
0
0
2
0
Cosecha de Cochinilla del Nopal — Del Insecto al Pigmento Carmín

Cosecha de Cochinilla del Nopal — Del Insecto al Pigmento Carmín

par FlorecitaMX

Agriculture

47
0
0
0
0
0
Making Acrylic Paint — Grinding Pigments into Acrylic Polymer Medium

Making Acrylic Paint — Grinding Pigments into Acrylic Polymer Medium

par CharlieDE

Peinture

149
0
0
2
0
0
Making Egg Tempera Paint — The Medieval Panel Painting Medium

Making Egg Tempera Paint — The Medieval Panel Painting Medium

par CharlieDE

Peinture

219
0
0
0
4
0
Making Oil Paint from Raw Pigments — Grinding Pigments in Linseed Oil

Making Oil Paint from Raw Pigments — Grinding Pigments in Linseed Oil

par CharlieDE

Peinture

143
0
0
0
5
0
Making Watercolour Paint from Raw Pigments — Gum Arabic Binder

Making Watercolour Paint from Raw Pigments — Gum Arabic Binder

par CharlieDE

Peinture

199
0
0
2
2
0
Making Natural Earth Pigments from Soil and Rocks — Collecting and Processing

Making Natural Earth Pigments from Soil and Rocks — Collecting and Processing

par MaryFI

Peinture

140
0
0
0
8
0
Copperplate Script with a Pointed Nib — Pressure-Based Calligraphy

Copperplate Script with a Pointed Nib — Pressure-Based Calligraphy

par TexFO

Calligraphie

126
0
0
0
0
0
Calligraphie gothique — Textura Quadrata

Calligraphie gothique — Textura Quadrata

par TexFO

Calligraphie

312
0
0
0
1
0
24 sur 77 affichés