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BlueprintsSCIENCES
SCIENCES
569 blueprints disponibles • 11 sous-catégories
Parcourir les Sous-catégories
Blueprints (569)
Dangereux
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
par Charlie
ART
46
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
par Charlie
ART
31
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
par Charlie
ART
21
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
par Charlie
ART
29
0
0
0
2
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
par Charlie
Animal
52
0
0
0
3
0
Dangereux
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
par Charlie
Ancien
47
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
par Charlie
Moyen Âge
69
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
par Charlie
Ancien
43
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
par Charlie
Ancien
43
0
0
0
9
0
Dangereux
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
par Charlie
Moderne
45
0
0
0
7
0
Dangereux
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
par Charlie
Moyen Âge
23
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
par Charlie
Moyen Âge
27
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
par Charlie
Ancien
23
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish
par Charlie
Ancien
18
0
0
0
3
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk
par Charlie
Préhistorique
41
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters
par Charlie
Ancien
28
0
0
0
3
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate
par Charlie
Ancien
35
0
0
0
6
0
Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame
par Charlie
Préhistorique
69
0
0
0
6
0
Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation
par Charlie
Préhistorique
51
0
0
0
7
0
Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History
par Charlie
Moyen Âge
38
0
0
0
6
0