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繊維と革

336件のブループリントがあります • 9個のサブカテゴリ

ブループリント (336)

Edges That Last: The Part Everyone Sees and Nobody Plans For

Edges That Last: The Part Everyone Sees and Nobody Plans For

Tex 作FO

繊維と革

34
0
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The Saddle Stitch: Cut It Anywhere and It Still Holds

The Saddle Stitch: Cut It Anywhere and It Still Holds

Tex 作FO

繊維と革

39
0
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Skiving: Where Leather Has to Get Thinner to Work

Skiving: Where Leather Has to Get Thinner to Work

Tex 作FO

繊維と革

39
0
0
0
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Cutting Leather: One Pass, Straight Down, and a Knife That Frightens You

Cutting Leather: One Pass, Straight Down, and a Knife That Frightens You

Tex 作FO

繊維と革

34
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Reading a Hide: The Best Part Is Smaller Than You Think

Reading a Hide: The Best Part Is Smaller Than You Think

Tex 作FO

繊維と革

45
0
0
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0
The Dye Record: What to Write Down So the Colour Can Be Made Again

The Dye Record: What to Write Down So the Colour Can Be Made Again

Tex 作FO

繊維と革

48
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0
0
Wash and Rub Fastness: Testing the Colour Before You Trust It

Wash and Rub Fastness: Testing the Colour Before You Trust It

Tex 作FO

繊維と革

42
0
0
0
0
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Substantive and Adjective: Which Dyes Need a Mordant and Which Do Not

Substantive and Adjective: Which Dyes Need a Mordant and Which Do Not

Tex 作FO

繊維と革

42
0
0
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Exhaust Baths: The Shade Ladder Is Free, the Matched Set Is Not

Exhaust Baths: The Shade Ladder Is Free, the Matched Set Is Not

Tex 作FO

繊維と革

53
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Mordants Beyond Alum: Why Cotton Needs Tannin and Iron Needs Restraint

Mordants Beyond Alum: Why Cotton Needs Tannin and Iron Needs Restraint

Tex 作FO

繊維と革

45
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The Dyebath: Even Colour Is a Question of Temperature and Patience

The Dyebath: Even Colour Is a Question of Temperature and Patience

Tex 作FO

繊維と革

45
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Weight of Fibre: The One Number Every Dye Recipe Is Built On

Weight of Fibre: The One Number Every Dye Recipe Is Built On

Tex 作FO

繊維と革

48
0
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Scouring: Dye Cannot Reach What Is Still Covered in Grease

Scouring: Dye Cannot Reach What Is Still Covered in Grease

Tex 作FO

繊維と革

46
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0
0
0
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Order of Work: Why a Garment Is Assembled in a Particular Sequence

Order of Work: Why a Garment Is Assembled in a Particular Sequence

Tex 作FO

繊維と革

42
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0
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Fitting: Read the Wrinkles, Because They Point at the Problem

Fitting: Read the Wrinkles, Because They Point at the Problem

Tex 作FO

繊維と革

40
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Interfacing: Where Cloth Has to Stop Behaving Like Cloth

Interfacing: Where Cloth Has to Stop Behaving Like Cloth

Tex 作FO

繊維と革

42
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0
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0
0
Pressing Is Not Ironing: Lift, Place, Press — and It Is Half the Construction

Pressing Is Not Ironing: Lift, Place, Press — and It Is Half the Construction

Tex 作FO

繊維と革

48
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Ease: A Garment Is Bigger Than the Body, and by How Much Is a Decision

Ease: A Garment Is Bigger Than the Body, and by How Much Is a Decision

Tex 作FO

繊維と革

44
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Laying Out and Cutting: Two Layers, One Way Up, and Cut Once

Laying Out and Cutting: Two Layers, One Way Up, and Cut Once

Tex 作FO

繊維と革

41
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Seam Allowance: One Number, Everywhere, or Nothing Fits

Seam Allowance: One Number, Everywhere, or Nothing Fits

Tex 作FO

繊維と革

51
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The Grain of Cloth: Three Directions, Three Different Materials

The Grain of Cloth: Three Directions, Three Different Materials

Tex 作FO

繊維と革

38
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Unpicking: A Normal Step, Not an Admission of Failure

Unpicking: A Normal Step, Not an Admission of Failure

Tex 作FO

繊維と革

48
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Why Hand Seams Outlive Machine Ones — And When They Do Not

Why Hand Seams Outlive Machine Ones — And When They Do Not

Tex 作FO

繊維と革

53
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Four Stitches Do Almost Everything: Running, Back, Whip and Slip

Four Stitches Do Almost Everything: Running, Back, Whip and Slip

Tex 作FO

繊維と革

36
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0
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