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화학

1,284개의 블루프린트 이용 가능 • 22개의 하위 카테고리

블루프린트 (1,284)

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

Charlie 작성DE

예술

67
0
0
0
7
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Charlie 작성DE

예술

88
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

Charlie 작성DE

예술

75
0
0
0
1
0
Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

Charlie 작성DE

예술

103
0
0
0
2
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Charlie 작성DE

예술

63
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Charlie 작성DE

예술

87
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Charlie 작성DE

예술

100
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Charlie 작성DE

예술

103
0
0
0
2
0
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
위험

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

Charlie 작성DE

예술

61
0
0
0
4
0
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
위험

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

Charlie 작성DE

예술

67
0
0
0
0
0
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
위험

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

Charlie 작성DE

예술

110
0
0
0
2
0
시피아 잉크 만들기 — 지중해 화가들의 천연 갈색 잉크

시피아 잉크 만들기 — 지중해 화가들의 천연 갈색 잉크

Charlie 작성DE

예술

203
0
0
0
0
0
빨간색 황토 문신 페인트 만들기

빨간색 황토 문신 페인트 만들기

Charlie 작성DE

바디 아트

157
0
0
0
1
0
목재 그을음에서 검은 문신 잉크 만들기 — 인간 역사에서 가장 오래된 신체 안료

목재 그을음에서 검은 문신 잉크 만들기 — 인간 역사에서 가장 오래된 신체 안료

Charlie 작성DE

바디 아트

162
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Charlie 작성DE

예술

85
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Charlie 작성DE

예술

174
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Charlie 작성DE

증류

92
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
위험

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

Charlie 작성DE

예술

81
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
위험

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

Charlie 작성DE

예술

84
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Charlie 작성DE

예술

90
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
위험

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

Charlie 작성DE

예술

107
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Charlie 작성DE

예술

79
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Charlie 작성DE

예술

67
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Charlie 작성DE

예술

83
0
0
0
3
0
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