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1,929 blueprint tersedia • 11 subkategori

Blueprint (1,929)

Reeds That Speak: Beating, Double and Free

Reeds That Speak: Beating, Double and Free

oleh WoodyNO

Kerja Kayu

48
0
0
0
0
0
Heads and Tension: Why a Drum Has a Pitch You Can Argue About

Heads and Tension: Why a Drum Has a Pitch You Can Argue About

oleh WoodyNO

Kerja Kayu

38
0
0
0
0
0
Bore and Tone Holes: A Hole Can Be Made Bigger and Not Smaller

Bore and Tone Holes: A Hole Can Be Made Bigger and Not Smaller

oleh WoodyNO

Kerja Kayu

52
0
0
0
0
0
The Soundboard: A String Alone Is Almost Silent

The Soundboard: A String Alone Is Almost Silent

oleh WoodyNO

Kerja Kayu

47
0
0
0
0
0
Placing the Frets: The Rule of 18 Is Wrong, and by How Much

Placing the Frets: The Rule of 18 Is Wrong, and by How Much

oleh WoodyNO

Kerja Kayu

48
0
0
0
0
0
What Sets the Pitch: Length, Tension, Mass, and Nothing Else

What Sets the Pitch: Length, Tension, Mass, and Nothing Else

oleh WoodyNO

Kerja Kayu

34
0
0
0
0
0
Substantive and Adjective: Which Dyes Need a Mordant and Which Do Not

Substantive and Adjective: Which Dyes Need a Mordant and Which Do Not

oleh TexFO

Tekstil & Kulit

42
0
0
0
0
0
Exhaust Baths: The Shade Ladder Is Free, the Matched Set Is Not

Exhaust Baths: The Shade Ladder Is Free, the Matched Set Is Not

oleh TexFO

Tekstil & Kulit

51
0
0
0
0
0
Mordants Beyond Alum: Why Cotton Needs Tannin and Iron Needs Restraint

Mordants Beyond Alum: Why Cotton Needs Tannin and Iron Needs Restraint

oleh TexFO

Tekstil & Kulit

45
0
0
0
0
0
Weight of Fibre: The One Number Every Dye Recipe Is Built On

Weight of Fibre: The One Number Every Dye Recipe Is Built On

oleh TexFO

Tekstil & Kulit

47
0
0
0
0
0
Distortion and Sequence: The Weld Pulls, So Decide Where It Pulls To

Distortion and Sequence: The Weld Pulls, So Decide Where It Pulls To

oleh ForgeNO

Kerja Logam

50
0
0
0
0
0
Fillet and Butt: Sizing the Weld the Joint Actually Needs

Fillet and Butt: Sizing the Weld the Joint Actually Needs

oleh ForgeNO

Kerja Logam

46
0
0
0
0
0
Reading a Casting: Porosity, Cold Shuts and Inclusions Each Name a Cause

Reading a Casting: Porosity, Cold Shuts and Inclusions Each Name a Cause

oleh ForgeNO

Kerja Logam

39
0
0
0
0
0
Risers: Metal Shrinks When It Freezes, and the Hole Goes Somewhere

Risers: Metal Shrinks When It Freezes, and the Hole Goes Somewhere

oleh ForgeNO

Kerja Logam

42
0
0
0
0
0
Gating: Getting the Metal In Without Wrecking the Mould

Gating: Getting the Metal In Without Wrecking the Mould

oleh ForgeNO

Kerja Logam

44
0
0
0
0
0
The Parting Line: Where the Mould Splits Decides Everything Else

The Parting Line: Where the Mould Splits Decides Everything Else

oleh ForgeNO

Kerja Logam

35
0
0
0
0
0
The Pattern Is Not the Part: Draft, Shrinkage and Machining Allowance

The Pattern Is Not the Part: Draft, Shrinkage and Machining Allowance

oleh ForgeNO

Kerja Logam

31
0
0
0
0
0
Why Paintings Fail: Cracking, Yellowing, Blooming and Flaking

Why Paintings Fail: Cracking, Yellowing, Blooming and Flaking

oleh MaryFI

Bahan

23
0
0
0
0
0
Varnish Is a Sacrificial Layer, Not a Finish

Varnish Is a Sacrificial Layer, Not a Finish

oleh MaryFI

Bahan

38
0
0
0
0
0
Lightfastness: Which Colours Are Still There in Fifty Years

Lightfastness: Which Colours Are Still There in Fifty Years

oleh MaryFI

Bahan

48
0
0
0
0
0
Opacity and Tinting Strength: Why Some Colours Go Ten Times Further

Opacity and Tinting Strength: Why Some Colours Go Ten Times Further

oleh MaryFI

Bahan

41
0
0
0
0
0
Drying Is Not Evaporating: Three Different Mechanisms, Three Different Films

Drying Is Not Evaporating: Three Different Mechanisms, Three Different Films

oleh MaryFI

Bahan

46
0
0
0
0
0
Fat Over Lean: Why the Order of the Layers Decides Whether It Cracks

Fat Over Lean: Why the Order of the Layers Decides Whether It Cracks

oleh MaryFI

Bahan

45
0
0
0
0
0
The Ground: Paint Needs Something to Hold On To, and Not Sink Into

The Ground: Paint Needs Something to Hold On To, and Not Sink Into

oleh MaryFI

Bahan

41
0
0
0
0
0
Memaparkan 24 daripada 1929