IṢẸ́ ỌNÀ
ẸWÀ ÀTI ÌLERA
IṢẸ́ ỌWỌ́
ÀṢÀ ÀTI ÌTÀN
ÌṢERÉ
ÀYÍKÁ
OÚNJẸ ÀTI OHUN MÍMU
REVERSE ENGINEERING
SÁYẸ́ǸSÌ
ERÉ ÌDÁRAYÁ
ÌMỌ̀-Ẹ̀RỌ
ÀWỌN OHUN WÍWỌ̀
Iṣẹ́ Ọnà Ìṣèwà
Ìtọ́nisọ́nà 77 wà • Ẹ̀ka kékeré 14
Ṣàwárí Àwọn Ẹ̀ka Kékeré
Àwọn Ìtọ́nisọ́nà (77)
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
láti ọwọ́ Charlie
IṢẸ́ ỌNÀ
55
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
láti ọwọ́ Charlie
IṢẸ́ ỌNÀ
63
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
láti ọwọ́ Charlie
Ẹranko
145
0
0
0
3
0
Léwu
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
láti ọwọ́ Charlie
Ìgbà Àtijọ́
109
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
láti ọwọ́ Charlie
Ọ̀rúndún Àárín
135
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
láti ọwọ́ Charlie
Ìgbà Àtijọ́
91
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
láti ọwọ́ Charlie
Ìgbà Àtijọ́
90
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
láti ọwọ́ Charlie
Òde Òní
94
0
0
0
7
0
Léwu
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
láti ọwọ́ Charlie
Ọ̀rúndún Àárín
65
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
láti ọwọ́ Charlie
Ọ̀rúndún Àárín
64
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
láti ọwọ́ Charlie
Ìgbà Àtijọ́
67
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish
láti ọwọ́ Charlie
Ìgbà Àtijọ́
48
0
0
0
3
0
Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint
láti ọwọ́ Charlie
Ìgbà Àtijọ́
193
0
0
0
4
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters
láti ọwọ́ Charlie
Ìgbà Àtijọ́
53
0
0
0
3
0
Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe
láti ọwọ́ Charlie
Ọ̀rúndún Àárín
67
0
0
0
4
0
Making Lime Wash — The Oldest and Simplest Wall Paint in the World
láti ọwọ́ Charlie
Ṣáájú Ìtàn
132
0
0
0
2
0
Cosecha de Cochinilla del Nopal — Del Insecto al Pigmento Carmín
láti ọwọ́ Florecita
Iṣẹ́ Àgbẹ̀
47
0
0
0
0
0
Making Acrylic Paint — Grinding Pigments into Acrylic Polymer Medium
láti ọwọ́ Charlie
Kíkun
151
0
0
2
0
0
Making Egg Tempera Paint — The Medieval Panel Painting Medium
láti ọwọ́ Charlie
Kíkun
225
0
0
0
4
0
Making Oil Paint from Raw Pigments — Grinding Pigments in Linseed Oil
láti ọwọ́ Charlie
Kíkun
146
0
0
0
5
0
Making Watercolour Paint from Raw Pigments — Gum Arabic Binder
láti ọwọ́ Charlie
Kíkun
201
0
0
2
2
0
Making Natural Earth Pigments from Soil and Rocks — Collecting and Processing
láti ọwọ́ Mary
Kíkun
142
0
0
0
8
0
Copperplate Script with a Pointed Nib — Pressure-Based Calligraphy
láti ọwọ́ Tex
Ìkọ̀wé Ẹlẹ́wà
126
0
0
0
0
0
Ìkọ̀wé Ọnà Gọ́tíìkì — Textura Quadrata
láti ọwọ́ Tex
Ìkọ̀wé Ẹlẹ́wà
323
0
0
0
1
0
Ń fi 24 nínú 77 hàn