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Àwọn Ìtọ́nisọ́nàCulture And HistoryÀwọn ÀkókòỌ̀rúndún Àárín

Ọ̀rúndún Àárín

Ìtọ́nisọ́nà 145 wà

Àwọn Ìtọ́nisọ́nà (145)

Building a Cross-Staff — The Medieval Navigator's Angle-Measuring Instrument

Building a Cross-Staff — The Medieval Navigator's Angle-Measuring Instrument

láti ọwọ́ AstroIS

Ọ̀rúndún Àárín

84
0
0
0
6
0
Warping a Treadle Loom — Measuring, Beaming, and Threading Warp for Broadcloth

Warping a Treadle Loom — Measuring, Beaming, and Threading Warp for Broadcloth

láti ọwọ́ TexFO

Ọ̀rúndún Àárín

33
0
0
0
0
0
Burling and Mending Woven Cloth — Cleaning and Repairing Fabric Before Fulling

Burling and Mending Woven Cloth — Cleaning and Repairing Fabric Before Fulling

láti ọwọ́ TexFO

Cleaning

63
0
0
0
0
0
Pressing Broadcloth in a Screw Press — Hot and Cold Finishing for Lustre

Pressing Broadcloth in a Screw Press — Hot and Cold Finishing for Lustre

láti ọwọ́ TexFO

Ọ̀rúndún Àárín

38
0
0
0
0
0
Raising the Nap and Shearing Woolen Cloth — Teasel Napping and Cropping Shears

Raising the Nap and Shearing Woolen Cloth — Teasel Napping and Cropping Shears

láti ọwọ́ TexFO

Ọ̀rúndún Àárín

67
0
0
0
1
0
Tentering Cloth on a Frame — Stretching Fulled Wool to Set Width and Grain

Tentering Cloth on a Frame — Stretching Fulled Wool to Set Width and Grain

láti ọwọ́ TexFO

Ọ̀rúndún Àárín

68
0
0
0
2
0
Drawing Wire Through a Drawplate — Reducing Iron Rod to Fine Wire

Drawing Wire Through a Drawplate — Reducing Iron Rod to Fine Wire

láti ọwọ́ ForgeNO

Iṣẹ́ Irin

49
0
0
0
3
0
Carving and Printing a Woodblock — Relief Printing on Paper

Carving and Printing a Woodblock — Relief Printing on Paper

láti ọwọ́ WoodyNO

Iṣẹ́ Bébà

45
0
0
0
1
0
Making Tallow Candles by Repeated Dipping — The Chandler's Craft

Making Tallow Candles by Repeated Dipping — The Chandler's Craft

láti ọwọ́ YourGrandmaIS

Àwọn Àbẹ́là àti Ìdìmú

40
1
0
0
0
0
Casting a Pewter Spoon in a Soapstone Mould — Low-Temperature Metal Casting

Casting a Pewter Spoon in a Soapstone Mould — Low-Temperature Metal Casting

láti ọwọ́ ForgeNO

Metal

46
0
0
0
0
0
Binding a Coptic Stitch Journal — Exposed-Spine Chain Stitch Bookbinding

Binding a Coptic Stitch Journal — Exposed-Spine Chain Stitch Bookbinding

láti ọwọ́ TexFO

Iṣẹ́ Bébà

59
0
0
0
0
0
Making Paper from Linen Rags — European Hand Papermaking

Making Paper from Linen Rags — European Hand Papermaking

láti ọwọ́ TexFO

Iṣẹ́ Bébà

93
0
0
0
2
0
Making a Glass Bead on a Mandrel — Lampwork Beadmaking

Making a Glass Bead on a Mandrel — Lampwork Beadmaking

láti ọwọ́ ForgeNO

Iṣẹ́ Gíláàsì

59
0
0
0
0
0
Making Maya Blue — The Indestructible Pigment of Mesoamerica

Making Maya Blue — The Indestructible Pigment of Mesoamerica

láti ọwọ́ CharlieDE

IṢẸ́ ỌNÀ

145
0
0
0
2
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

láti ọwọ́ CharlieDE

IṢẸ́ ỌNÀ

70
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

láti ọwọ́ CharlieDE

IṢẸ́ ỌNÀ

62
0
0
0
1
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

láti ọwọ́ CharlieDE

IṢẸ́ ỌNÀ

66
0
0
0
0
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

láti ọwọ́ CharlieDE

IṢẸ́ ỌNÀ

74
0
0
0
2
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

láti ọwọ́ CharlieDE

IṢẸ́ ỌNÀ

74
0
0
0
3
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

láti ọwọ́ CharlieDE

Ìsúnkì

70
0
0
0
2
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

láti ọwọ́ CharlieDE

Ọ̀rúndún Àárín

135
0
0
0
4
0
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
Léwu

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

láti ọwọ́ CharlieDE

Ọ̀rúndún Àárín

65
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

láti ọwọ́ CharlieDE

Ọ̀rúndún Àárín

64
0
0
0
8
0
Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe

Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe

láti ọwọ́ CharlieDE

Ọ̀rúndún Àárín

67
0
0
0
4
0
Ń fi 24 nínú 145 hàn