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1601 progetti disponibili • 17 sottocategorie
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Scientific Revolution (1600–1760)
Industry 5.0 — Open Knowledge & AI Collaboration (2026)
Renaissance (1400–1600)
Industry 4.0 — Computers & Digital Automation (1960)
Industry 3.0 — Assembly Line & Mass Production (1913)
Industry 2.0 — Electricity, Steel & Oil (1870)
Industry 1.0 — Steam & Mechanization (1760)
Postmoderno
Moderno
Medioevo
Antico
Preistorico
Periodo Edo
Grecia arcaica
Egiziani
Romani
Vichinghi
Progetti (1601)
Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas
di Charlie
ARTE
62
0
0
0
2
0
Pericoloso
Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome
di Charlie
ARTE
53
0
0
0
5
0
Pericoloso
Making Viridian — The Permanent Transparent Chromium Oxide Green
di Charlie
ARTE
59
0
0
0
3
0
Pericoloso
Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment
di Charlie
ARTE
69
0
0
0
3
0
Pericoloso
Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century
di Charlie
ARTE
62
0
0
0
4
0
Pericoloso
Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment
di Charlie
ARTE
71
0
0
0
6
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White
di Charlie
ARTE
61
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green
di Charlie
ARTE
75
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters
di Charlie
ARTE
63
0
0
0
1
0
Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity
di Charlie
ARTE
97
0
0
0
2
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
di Charlie
ARTE
56
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
di Charlie
ARTE
78
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
di Charlie
ARTE
84
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root
di Charlie
ARTE
84
0
0
0
2
0
Pericoloso
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
di Charlie
ARTE
60
0
0
0
4
0
Pericoloso
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
di Charlie
ARTE
60
0
0
0
0
0
Pericoloso
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
di Charlie
ARTE
104
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
di Charlie
ARTE
176
0
0
0
0
0
Fare Vernice Tatuaggio Ocra Rossa
di Charlie
Arte del corpo
144
0
0
0
1
0
Fare inchiostro da tatuaggio nero da fuliggine di legno — Il pigmento corporeo più antico della storia umana
di Charlie
Arte del corpo
143
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
di Charlie
ARTE
80
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
di Charlie
ARTE
149
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
di Charlie
Distillazione
76
0
0
0
2
0
Pericoloso
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
di Charlie
ARTE
75
0
0
0
2
0
Visualizzati 24 di 1601