ARTE
BELLEZZA E BENESSERE
MESTIERE
CULTURA E STORIA
DIVERTIMENTO
AMBIENTE
CIBO E BEVANDE
INGEGNERIA INVERSA
SCIENZE
SPORT
TECNOLOGIA
INDOSSABILI
ProgettiSciencesChimicaColore del pigmento

Colore del pigmento

73 progetti disponibili

Progetti (73)

Making Egyptian Blue — The World's First Synthetic Pigment

Making Egyptian Blue — The World's First Synthetic Pigment

di CharlieDE

ARTE

32
0
0
0
3
0
Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

di CharlieDE

ARTE

35
0
0
0
2
0
Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome
Pericoloso

Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome

di CharlieDE

ARTE

27
0
0
0
5
0
Making Viridian — The Permanent Transparent Chromium Oxide Green
Pericoloso

Making Viridian — The Permanent Transparent Chromium Oxide Green

di CharlieDE

ARTE

20
0
0
0
3
0
Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment
Pericoloso

Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment

di CharlieDE

ARTE

36
0
0
0
3
0
Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century
Pericoloso

Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century

di CharlieDE

ARTE

27
0
0
0
4
0
Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment
Pericoloso

Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment

di CharlieDE

ARTE

38
0
0
0
6
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

di CharlieDE

ARTE

26
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

di CharlieDE

ARTE

31
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

di CharlieDE

ARTE

32
0
0
0
1
0
Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

di CharlieDE

ARTE

38
0
0
0
2
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

di CharlieDE

ARTE

22
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

di CharlieDE

ARTE

36
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

di CharlieDE

ARTE

34
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

di CharlieDE

ARTE

31
0
0
0
2
0
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
Pericoloso

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

di CharlieDE

ARTE

33
0
0
0
4
0
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
Pericoloso

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

di CharlieDE

ARTE

32
0
0
0
0
0
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
Pericoloso

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

di CharlieDE

ARTE

69
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

di CharlieDE

ARTE

105
0
0
0
0
0
Fare Vernice Tatuaggio Ocra Rossa

Fare Vernice Tatuaggio Ocra Rossa

di CharlieDE

Arte del corpo

60
0
0
0
1
0