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ProgettiSciencesChimicaColore del pigmento

Colore del pigmento

78 progetti disponibili

Progetti (78)

Making Han Purple — Ancient China's Synthetic Barium Copper Silicate Pigment
Pericoloso

Making Han Purple — Ancient China's Synthetic Barium Copper Silicate Pigment

di CharlieDE

ARTE

79
0
0
0
2
0
Making Egyptian Blue — The World's First Synthetic Pigment

Making Egyptian Blue — The World's First Synthetic Pigment

di CharlieDE

ARTE

62
0
0
0
3
0
Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

Making Mars Colours — Synthetic Iron Oxide Pigments from Copperas

di CharlieDE

ARTE

61
0
0
0
2
0
Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome
Pericoloso

Making Cadmium Yellow Pigment — The Permanent Bright Yellow That Replaced Chrome

di CharlieDE

ARTE

52
0
0
0
5
0
Making Viridian — The Permanent Transparent Chromium Oxide Green
Pericoloso

Making Viridian — The Permanent Transparent Chromium Oxide Green

di CharlieDE

ARTE

58
0
0
0
3
0
Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment
Pericoloso

Making Emerald Green (Paris Green) — The Brilliant and Deadly Copper Arsenate Pigment

di CharlieDE

ARTE

68
0
0
0
3
0
Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century
Pericoloso

Making Chrome Yellow — The Brilliant Lead Chromate Pigment of the 19th Century

di CharlieDE

ARTE

62
0
0
0
4
0
Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment
Pericoloso

Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment

di CharlieDE

ARTE

71
0
0
0
6
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

di CharlieDE

ARTE

61
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

di CharlieDE

ARTE

74
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

di CharlieDE

ARTE

63
0
0
0
1
0
Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

di CharlieDE

ARTE

97
0
0
0
2
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

di CharlieDE

ARTE

55
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

di CharlieDE

ARTE

76
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

di CharlieDE

ARTE

83
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

di CharlieDE

ARTE

83
0
0
0
2
0
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
Pericoloso

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

di CharlieDE

ARTE

59
0
0
0
4
0
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
Pericoloso

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

di CharlieDE

ARTE

58
0
0
0
0
0
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
Pericoloso

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

di CharlieDE

ARTE

102
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

di CharlieDE

ARTE

174
0
0
0
0
0
Fare Vernice Tatuaggio Ocra Rossa

Fare Vernice Tatuaggio Ocra Rossa

di CharlieDE

Arte del corpo

144
0
0
0
1
0
Fare inchiostro da tatuaggio nero da fuliggine di legno — Il pigmento corporeo più antico della storia umana

Fare inchiostro da tatuaggio nero da fuliggine di legno — Il pigmento corporeo più antico della storia umana

di CharlieDE

Arte del corpo

142
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

di CharlieDE

ARTE

79
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

di CharlieDE

ARTE

149
0
0
0
2
0
Visualizzati 24 di 78