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Colore del pigmento
78 progetti disponibili
Progetti (78)
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
di Charlie
Distillazione
74
0
0
0
2
0
Pericoloso
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
di Charlie
ARTE
74
0
0
0
2
0
Pericoloso
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
di Charlie
ARTE
80
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
di Charlie
ARTE
78
0
0
0
4
0
Pericoloso
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
di Charlie
ARTE
96
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
di Charlie
ARTE
65
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
di Charlie
ARTE
57
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
di Charlie
ARTE
69
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
di Charlie
Animale
157
0
0
0
3
0
Pericoloso
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
di Charlie
Antico
123
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
di Charlie
Medioevo
138
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
di Charlie
Antico
97
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
di Charlie
Antico
97
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
di Charlie
Moderno
103
0
0
0
7
0
Pericoloso
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
di Charlie
Medioevo
66
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
di Charlie
Medioevo
69
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
di Charlie
Antico
71
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish
di Charlie
Antico
49
0
0
0
3
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk
di Charlie
Preistorico
84
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters
di Charlie
Antico
55
0
0
0
3
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate
di Charlie
Antico
96
0
0
0
6
0
Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame
di Charlie
Preistorico
184
0
0
0
6
0
Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation
di Charlie
Preistorico
150
0
0
0
7
0
Making Ultramarine from Lapis Lazuli — Extracting the Most Precious Pigment in History
di Charlie
Medioevo
99
0
0
0
6
0
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