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BlueprintsSciences
SCIENCES
278 blueprints available • 8 subcategories
Browse Subcategories
Blueprints (278)
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
ni Charlie
Pigment Color
18
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
ni Charlie
Ancient
18
0
0
0
1
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root
ni Charlie
Middle Ages
20
0
0
0
2
0
Hazardous content
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
ni Charlie
ART
12
0
0
0
4
0
Hazardous content
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
ni Charlie
Chemistry
22
0
0
0
0
0
Hazardous content
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
ni Charlie
ART
37
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
ni Charlie
Pigment Color
23
0
0
0
0
0
Gumawa ng Pulang Ochre Tattoo Paint
ni Charlie
Pigment Color
16
0
0
0
1
0
Gumawa ng Itim na Tattoo Ink mula sa Abo ng Puno — Ang Pinakamatatandang Katawan Pigment sa Kasaysayan ng Tao
ni Charlie
Prehistoric
25
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
ni Charlie
Painting
8
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
ni Charlie
Modern
27
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
ni Charlie
ART
19
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
ni Charlie
Pigment Color
20
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
ni Charlie
Chemistry
19
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
ni Charlie
ART
20
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
ni Charlie
Ancient
26
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
ni Charlie
ART
19
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
ni Charlie
Painting
11
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
ni Charlie
Pigment Color
13
0
0
0
2
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
ni Charlie
Chemistry
22
0
0
0
3
0