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BlaupausenWISSENSCHAFTEN

WISSENSCHAFTEN

963 Blaupausen verfügbar • 11 Unterkategorien

Blaupausen (963)

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

von CharlieDE

KUNST

45
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

von CharlieDE

KUNST

44
0
0
0
2
0
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
Gefährlich

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

von CharlieDE

KUNST

37
0
0
0
4
0
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
Gefährlich

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

von CharlieDE

KUNST

44
0
0
0
0
0
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
Gefährlich

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

von CharlieDE

KUNST

78
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

von CharlieDE

KUNST

124
0
0
0
0
0
Rote Ocker-Tätowierfarbe herstellen

Rote Ocker-Tätowierfarbe herstellen

von CharlieDE

Körperkunst

78
0
0
0
1
0
Herstellung schwarzer Tätowiertinte aus Holzruß — Das älteste Körperpigment der Menschheit

Herstellung schwarzer Tätowiertinte aus Holzruß — Das älteste Körperpigment der Menschheit

von CharlieDE

Körperkunst

88
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

von CharlieDE

KUNST

44
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

von CharlieDE

KUNST

96
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

von CharlieDE

Destillieren

43
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
Gefährlich

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

von CharlieDE

KUNST

41
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
Gefährlich

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

von CharlieDE

KUNST

49
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

von CharlieDE

KUNST

49
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
Gefährlich

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

von CharlieDE

KUNST

59
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

von CharlieDE

KUNST

36
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

von CharlieDE

KUNST

30
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

von CharlieDE

KUNST

42
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

von CharlieDE

Tier

90
0
0
0
3
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
Gefährlich

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

von CharlieDE

Uralt

74
0
0
0
8
0