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119 progetti disponibili • 3 sottocategorie

Progetti (119)

Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment
Pericoloso

Making Cobalt Blue (Thénard's Blue) — The First Modern Synthetic Blue Pigment

di CharlieDE

ARTE

38
0
0
0
6
0
Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

Making Zinc White Pigment — The Non-Toxic Replacement for Lead White

di CharlieDE

ARTE

26
0
0
0
5
0
Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

Making Sap Green from Buckthorn Berries — The Medieval Manuscript Painter's Green

di CharlieDE

ARTE

32
0
0
0
2
0
Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

Making Copper Resinate Green — The Transparent Glaze of Medieval and Renaissance Painters

di CharlieDE

ARTE

32
0
0
0
1
0
Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

Extracting Tyrian Purple from Murex Snails — The Most Precious Colour of Antiquity

di CharlieDE

ARTE

38
0
0
0
2
0
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant

di CharlieDE

ARTE

23
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters

di CharlieDE

ARTE

36
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo

di CharlieDE

ARTE

34
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root

di CharlieDE

ARTE

31
0
0
0
2
0
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
Pericoloso

Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments

di CharlieDE

ARTE

33
0
0
0
4
0
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
Pericoloso

Making Realgar Orange Pigment — The Arsenic Companion to Orpiment

di CharlieDE

ARTE

33
0
0
0
0
0
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
Pericoloso

Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting

di CharlieDE

ARTE

70
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists

di CharlieDE

ARTE

105
0
0
0
0
0
Fare Vernice Tatuaggio Ocra Rossa

Fare Vernice Tatuaggio Ocra Rossa

di CharlieDE

Arte del corpo

60
0
0
0
1
0
Fare inchiostro da tatuaggio nero da fuliggine di legno — Il pigmento corporeo più antico della storia umana

Fare inchiostro da tatuaggio nero da fuliggine di legno — Il pigmento corporeo più antico della storia umana

di CharlieDE

Arte del corpo

75
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters

di CharlieDE

ARTE

32
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting

di CharlieDE

ARTE

68
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting

di CharlieDE

Distillazione

30
0
0
0
2
0
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
Pericoloso

Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment

di CharlieDE

ARTE

38
0
0
0
2
0
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
Pericoloso

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

di CharlieDE

ARTE

40
0
0
0
2
0