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ProgettiARTE
ARTE
119 progetti disponibili • 3 sottocategorie
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Progetti (119)
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
di Charlie
ARTE
35
0
0
0
4
0
Pericoloso
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
di Charlie
ARTE
51
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
di Charlie
ARTE
32
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
di Charlie
ARTE
23
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
di Charlie
ARTE
34
0
0
0
2
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
di Charlie
Animale
59
0
0
0
3
0
Pericoloso
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
di Charlie
Antico
60
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
di Charlie
Medioevo
86
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
di Charlie
Antico
49
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green
di Charlie
Antico
53
0
0
0
9
0
Pericoloso
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)
di Charlie
Moderno
49
0
0
0
7
0
Pericoloso
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
di Charlie
Medioevo
27
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History
di Charlie
Medioevo
30
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters
di Charlie
Antico
28
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish
di Charlie
Antico
22
0
0
0
3
0
Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint
di Charlie
Antico
81
0
0
0
4
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk
di Charlie
Preistorico
43
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters
di Charlie
Antico
32
0
0
0
3
0
Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe
di Charlie
Medioevo
39
0
0
0
4
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate
di Charlie
Antico
43
0
0
0
6
0