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1933 blueprints disponibles • 11 subcategorías
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Planos (1933)
Making Indigo Pigment for Painting — Extracting the Blue Pigment Cake from Indigo Plant
por Charlie
ARTE
56
0
0
0
2
0
Making Bistre Ink from Wood Soot — The Warm Brown Drawing Ink of Old Masters
por Charlie
ARTE
77
0
0
0
0
0
Making Woad Blue Pigment — Europe's Ancient Blue Before Indigo
por Charlie
ARTE
84
0
0
0
2
0
Making Madder Lake Pigment — Precipitating Red Pigment from the Dyer's Root
por Charlie
ARTE
84
0
0
0
2
0
Peligroso
Synthesising Vermillion from Mercury and Sulfur — The King of Red Pigments
por Charlie
ARTE
60
0
0
0
4
0
Peligroso
Making Realgar Orange Pigment — The Arsenic Companion to Orpiment
por Charlie
ARTE
60
0
0
0
0
0
Peligroso
Making Red Lead (Minium) — The Pigment That Named the Art of Miniature Painting
por Charlie
ARTE
104
0
0
0
1
0
Making Sepia Ink from Cuttlefish — The Natural Brown Ink of Mediterranean Artists
por Charlie
ARTE
176
0
0
0
0
0
Hacer pintura de tatuaje rojo ocre
por Charlie
Arte Corporal
144
0
0
0
1
0
Hacer tinta de tatuaje negra a partir de hollín de madera — El pigmento corporal más antiguo de la historia humana
por Charlie
Arte Corporal
143
0
0
0
0
0
Making Gamboge Yellow — Preparing the Tree Resin Pigment of Southeast Asian Painters
por Charlie
ARTE
80
0
0
0
3
0
Making Cochineal Carmine Lake Pigment — Precipitating the Insect Red onto an Alum Substrate for Painting
por Charlie
ARTE
149
0
0
0
2
0
Distilling Turpentine from Pine Resin — The Essential Solvent of Oil Painting
por Charlie
Destilación
76
0
0
0
2
0
Peligroso
Making Naples Yellow (Lead Antimonate) — The Oldest Known Synthetic Yellow Pigment
por Charlie
ARTE
75
0
0
0
2
0
Peligroso
Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
por Charlie
ARTE
80
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting
por Charlie
ARTE
79
0
0
0
4
0
Peligroso
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
por Charlie
ARTE
97
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany
por Charlie
ARTE
65
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown
por Charlie
ARTE
58
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow
por Charlie
ARTE
73
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters
por Charlie
Animal
157
0
0
0
3
0
Peligroso
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
por Charlie
Antiguo
123
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings
por Charlie
Edad Media
141
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite
por Charlie
Antiguo
97
0
0
0
6
0
Mostrando 24 de 1933