ARTE
BELLEZA Y BIENESTAR
ARTESANÍA
CULTURA E HISTORIA
ENTRETENIMIENTO
MEDIO AMBIENTE
COMIDA Y BEBIDAS
INGENIERÍA INVERSA
CIENCIAS
DEPORTES
TECNOLOGÍA
TECNOLOGÍA VESTIBLE
PlanosCulture And HistoryÉpocas

Épocas

1601 blueprints disponibles • 17 subcategorías

Explorar Subcategorías

Scientific Revolution (1600–1760)

Industry 5.0 — Open Knowledge & AI Collaboration (2026)

Renaissance (1400–1600)

Industry 4.0 — Computers & Digital Automation (1960)

Industry 3.0 — Assembly Line & Mass Production (1913)

Industry 2.0 — Electricity, Steel & Oil (1870)

Industry 1.0 — Steam & Mechanization (1760)

Posmoderno

Moderno

Edad Media

Antiguo

Prehistórico

Periodo Edo

Grecia Arcaica

Egipcios

Romanos

Vikingos

Planos (1601)

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World
Peligroso

Making Orpiment Yellow Pigment — Grinding the Golden Arsenic Mineral of the Ancient World

por CharlieDE

ARTE

80
0
0
0
2
0
Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

Making Azurite Blue Pigment — Grinding the Copper Mineral into the Blue of Medieval Painting

por CharlieDE

ARTE

79
0
0
0
4
0
Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History
Peligroso

Making Lead White (Flake White) — The Dutch Stack Process for the Most Important Pigment in Oil Painting History

por CharlieDE

ARTE

97
0
0
0
5
0
Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

Making Raw and Burnt Sienna — The Warm Iron Earth from Tuscany

por CharlieDE

ARTE

67
0
0
0
1
0
Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

Making Raw and Burnt Umber — The Manganese Earth Pigments of Warm Shadow and Deep Brown

por CharlieDE

ARTE

58
0
0
0
1
0
Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

Making Yellow Ochre Pigment — Grinding and Levigating Goethite into the Oldest Painter's Yellow

por CharlieDE

ARTE

74
0
0
0
3
0
Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

Making Bone Black Pigment — Calcining Animal Bones into the Warm Black of Old Master Painters

por CharlieDE

Animal

161
0
0
0
3
0
Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World
Peligroso

Making Cinnabar Red Pigment — Grinding Mercury Sulfide into the Most Vivid Red of the Ancient World

por CharlieDE

Antiguo

125
0
0
0
8
0
Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

Making Dammar Varnish — The Clear Picture Varnish for Oil Paintings

por CharlieDE

Edad Media

142
0
0
0
4
0
Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

Making Green Earth Pigment (Terra Verte) — The Soft Green of Celadonite and Glauconite

por CharlieDE

Antiguo

97
0
0
0
6
0
Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

Making Malachite Green Pigment — Grinding the Copper Mineral into Painter's Green

por CharlieDE

Antiguo

99
0
0
0
9
0
Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

Making Prussian Blue — The First Modern Synthetic Pigment (Berlin, 1704)

por CharlieDE

Moderno

106
0
0
0
7
0
Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment
Peligroso

Making Smalt — Grinding Cobalt Blue Glass into the Renaissance Painter's Blue Pigment

por CharlieDE

Edad Media

66
0
0
0
6
0
Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

Making Traditional Gesso — The White Ground That Prepared Every Panel Painting in History

por CharlieDE

Edad Media

69
0
0
0
8
0
Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

Making Vine Black Pigment — Charring Grape Vines into the Cool Blue-Black of Classical Painters

por CharlieDE

Antiguo

72
0
0
0
2
0
Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

Water Gilding with Gold Leaf — Applying Gold to Gesso and Bole for a Mirror Finish

por CharlieDE

Antiguo

51
0
0
0
3
0
Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint

Making Casein Paint from Milk and Lime — The Ancient Protein-Based Wall Paint

por CharlieDE

Antiguo

228
0
0
0
4
0
Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

Making Chalk White Pigment (Whiting) — Grinding and Levigating Natural Chalk

por CharlieDE

Prehistórico

87
0
0
0
5
0
Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

Making Encaustic Paint — The Hot Beeswax Medium of Ancient Greek and Egyptian Painters

por CharlieDE

Antiguo

57
0
0
0
3
0
Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe

Making Hide Glue Distemper — The Traditional Ceiling and Wall Paint of Europe

por CharlieDE

Edad Media

70
0
0
0
4
0
Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

Making a Lake Pigment from Plant Dye — Precipitating Soluble Colour onto an Insoluble Substrate

por CharlieDE

Antiguo

97
0
0
0
6
0
Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame

Making Lampblack Pigment — Collecting Carbon Soot from a Burning Flame

por CharlieDE

Prehistórico

191
0
0
0
6
0
Making Lime Wash — The Oldest and Simplest Wall Paint in the World

Making Lime Wash — The Oldest and Simplest Wall Paint in the World

por CharlieDE

Prehistórico

141
0
0
0
2
0
Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation

Making Red Ochre by Calcining Yellow Ochre — The Oldest Deliberate Pigment Transformation

por CharlieDE

Prehistórico

152
0
0
0
7
0
Mostrando 24 de 1601